Painting in the Garden | Autumn

The Garden at Charleston, designed by artist and critic Roger Fry, was planted to be painted. Join artist Julian Le Bas for a day’s intensive painting tuition, and lose yourself in the atmosphere of the Walled Garden and surrounding grounds.

Suitable for improvers, this workshop will look at approaches to composition, with a particular emphasis on colour. Students may work in oil or acrylic. Easels and boards provided. Students will need to provide their own paints and brushes.

The cost of the day includes a tour of the House and Garden, a delicious lunch, tea and coffees.


The Garden in September:

September sees an entirely new group of plants – the garden moves into a purple/orange blend. The asters, both the perennial kind and the old fashioned annual varieties, Zinnias with their dense rosettes of the strongest possible orange and purple, tall cushions of pink and white phlox and a good show of Dahlias of all varieties from cactus-head to pom-pom. The fruit is ripe on the apple trees and the vegetable garden is overtaken with nasturtium flowers.


About the artist:

Born in 1958 – Sussex based painter Julian Le Bas studied at Hertfordshire College of Art and Design. Graduating at Brighton Polytechnic in 1981, with an affinity with the landscape developed; This was further explored in Cyprus at the College of Art on a Post Graduate Course in 1984.

Le Bas was selected for a Solo show at The Towner in 1990 and has exhibited widely including, The Bede Gallery, Jarrow, The Collective Gallery, Edinburgh, and The Jerwood Drawing Prize. He has just finished exhibiting his exhibition ‘Carpe Diem’ at St. Anne’s Galleries in Lewes.

Norbert Lynton wrote in the catalogue, ‘Artists in Sussex in the Twentieth Century’,’ For Julian Le Bas landscape is a live encounter and art, re-enacting of specific experiences, in paint or with charcoal on paper.’

Duncan Grant’s nude portraits

It’s National Nude Day! A great opportunity to draw your attention to one of my all-time favourite paintings in Charleston’s collection — Standing Male Nude (c.1935) by Duncan Grant — and have a brief look at the trajectory that nude painting took in Grant’s oeuvre.